Ken E grew up in Melbourne, in a manner that has left him
permanently scarred and unable to recall vast portions of his
childhood. Melbourne can do that to people.
He
will disclose more about his past as soon as his personal
psychological exploration and awareness discovery team have
assisted him in recovering the memories and approved their
manufacture into consumable morsels.
In the meantime, Ken regrets you must make do with attempting to
understanding the honesty and truth that is the grand deception
that is the simulacrum that is the image that is Ken.
From a Recent Article About Ken…
"If you're not wearing Ken
E…™, stay home!"
That's what they said after Ken E's triumphant debut Paris couture
show. Suddenly this Australian enfant terrible was the fashion
firmament. Fashion's biggest names saw blood and responded with a
style Ken tried to laugh off as "squalor", but Ken's
humble resources were no match for the industry's deepest
pockets. The war was lost, looking bad was in, and Ken's sequined
blood was just another stain on the path of fabulousness.
Following bankruptcy, Ken turned his skills toward music theatre,
only to find the glamour had gone out of that as well. He was
reduced to cabaret, and first appeared in Pork Chop's production
of Night Of The Sea Monkey at Sydney's Old Fitzroy Hotel
in 1999.
Emboldened by excellent reviews, Ken immediately began work on his
one-man show Baggage. Four years and countless hours of therapy
later, it's almost ready.
In the meantime, Ken is slumming it doing the City of Sydney
Cabaret Convention in the Town Hall Cabaret Dungeon.
"Despite Mr Warhol's suggestion, 12 minutes is till plenty
of time for a fame like mine", said Ken.
Ken's First Fashion Statement
Ken recalls a pivotal moment in his childhood, which has never
before been revealed due to the sensitivities involved.
It was 1971, and I was following mother to a fitting at her
couturier. I always went with her. Even at that
young age (no, I'm not saying how old I was, but it was young), a
visit to a dress shop was the most exciting thing imaginable.
We entered the establishment, much lauded for its frequent adorning
of the Prime Minister's wife, and there waiting for a fitting was
a long, sleek, white, silk dress.
I was horrified. It so plain. It did nothing. It
had no glamour.
"That dress is wrong, Mummy" I screamed. Couturier
staff recoiled. Mother tried to shush me, but I would not
be silenced. "That dress is wrong'
Following my deepest instinct and guided by the very Muses
themselves, I crossed the workroom and took up a pair of
dressmaker's shears. They were heavy but felt so right in
my tiny boys hands. I strode up to the white dress and cut
a slash from the hem to as high as I could reach.
Pandemonium broke out. My mother walloped me, and then
collapsed. Staff didn't know what to do, or which way to
turn.
Then the door swung open. Sonia entered. She took one
look at the slashed white frock and the young boy triumphantly
wielding a pair of scissors and, true to her glamorous self,
declared, "The president will love it". She
regarded me with a knowing eye and asked if I had done
this. I said yes, I had, the dress was wrong, but I fixed
it. She smiled a kind smile.
"Thank you Ken, that was a
brave thing to do. I will wear this dress you have
magically transformed, for all the world to see."
Then, in a discrete tone, she added:.
"Be careful, Ken. There
are people who will be jealous of a gift such as yours. We
must make your involvement in this special creation our little
secret for the time being. But fear not, Ken. I
predict it won't be long before people will hold your name in a
special place in their hearts and minds."
Sonia and I never spoke of the moment again, but I never forgot
that special moment when someone of importance took me and my
vision for a glamorous world seriously for the first time.
Last Updated 23rd June 2003
|